i don’t know what else to say except that AI art is no longer simply a source of creativity or a wonder of human creation. it has become actively hostile and destructive toward the very thing it pretends to uplift and celebrate. it is void of any human element, any soul or ounce of emotion or self-expression. continuing to use AI art knowing that it comes from theft and robbing artists of their livelihood is disgusting. we need your support now more than ever. stop giving these thieves your money and admiration.
We’ve spent the past 20-30 years enjoying a brief time where artists were able to share their art with the world for little to no cost to themselves to audiences who never would have been able to see their works before. Artistic talent and creativity have exploded thanks to the web, with people are to share techniques and tools that would have been kept behind financial and academic barriers and create audiences in entirely new ways.
And now tech bros are out to plunder that wealth of artistry we’ve come to enjoy through brute force statistical modelling so they can cut the artists out of the business of selling art. Why would a company bother employing rosters of artists to produce for them when they can hire a handful of people to run the models and tweak the outputs to suit their needs?
There is nothing benevolent or celebratory in this, it is purely about theft and exploitation. It’s about violating the copyright of artists in order to churn out content that’s Good Enough to suit the needs of capitalists. Do you think that the publishing industry will continue to pay authors for their works if they can just hand an algorithm a prompt and get a completed work in a handful of minutes or hours, and then pay someone to edit it into something coherent (if they even need to)?
This is the end result of the commodification of art. The artistry of the works do not matter, only that they can be sold and generate profit. Capitalism has always been existed in opposition to art, Capital requires steady growth of returns and regular output, art demands innovation and risky endeavours to push the boundaries. Art is of use to capital only in so far as it is able to generate direct sales and intellectual property that can then itself be turned into a commodity. The moment Capital is able to cut artistry and artists out of the equation so that it can further maximize it’s profits, it will. And what’s worse, the art it produces will be stale and recycled.
Brute force statistical modelling by it’s very nature is recycling, it will continue reusing old ideas and old techniques in new configurations. It is an artistic ouroboros, incapable of anything but accidental innovation through sheer volume of output, that will then be re-consumed and reconstituted all over again.
